Red Queen Symbols

  • Author :
  1. Characters In The Red Queen
  2. Red Queen Symbols Names
  • Genres :
  • Fantasy, Young Adult

Queen Victoria and her German husband Prince Albert popularized the Christmas tree with their own displays in the 1840s and the tradition found its way to the U.S., too. The first Christmas tree lot popped up in 1851 in New York and the first tree appeared in the White House in 1889. List (surname) Liszt (surname) Places. List auf Sylt, the northernmost village in Germany, on the island of Sylt; Mathematics. Sequence, an ordered list of elements, especially one of infinite length. Other unofficial symbols feature visual personifications, music of Chopin, polka and polonaise dances, animals such as the European bison or the white stork, apples, red poppy flowers and religious insignia of the Roman Catholic church. Several have been popularised in recent years, notably the winged hussars.

  • Series :

Characters In The Red Queen

  • Published :
  • February 10th 2015
  • Views :
  • 65414

This is a world divided by blood – red or silver.

The Reds are commoners, ruled by a Silver elite in possession of god-like superpowers. And to Mare Barrow, a seventeen-year-old Red girl from the poverty-stricken Stilts, it seems like nothing will ever change.

That is, until she finds herself working in the Silver Palace. Here, surrounded by the people she hates the most, Mare discovers that, despite her red blood, she possesses a deadly power of her own. One that threatens to destroy the balance of power.

Fearful of Mare’s potential, the Silvers hide her in plain view, declaring her a long-lost Silver princess, now engaged to a Silver prince. Despite knowing that one misstep would mean her death, Mare works silently to help the Red Guard, a militant resistance group, and bring down the Silver regime.

But this is a world of betrayal and lies, and Mare has entered a dangerous dance – Reds against Silvers, prince against prince, and Mare against her own heart.

  • 1.Page 1
  • 2.Page 2
  • 3.Page 3
  • 4.Page 4
  • 5.Page 5
  • 6.Page 6
  • 7.Page 7
  • 8.Page 8
  • 9.Page 9
  • 10.Page 10
  • 11.Page 11
  • 12.Page 12
  • 13.Page 13
  • 14.Page 14
  • 15.Page 15
  • 16.Page 16
  • 17.Page 17
  • 18.Page 18
  • 19.Page 19
  • 20.Page 20
  • 21.Page 21
  • 22.Page 22
  • 23.Page 23
  • 24.Page 24
  • 25.Page 25
  • 26.Page 26
  • 27.Page 27
  • 28.Page 28
  • 29.Page 29
  • 30.Page 30
  • 31.Page 31
  • 32.Page 32
  • 33.Page 33
  • 34.Page 34
  • 35.Page 35
  • 36.Page 36
  • 37.Page 37
  • 38.Page 38
  • 39.Page 39
  • 40.Page 40
  • 41.Page 41
  • 42.Page 42
  • 43.Page 43
  • 44.Page 44
  • 45.Page 45
  • 46.Page 46
  • 47.Page 47
  • 48.Page 48
  • 49.Page 49
  • 50.Page 50
  • 51.Page 51
  • 52.Page 52
  • 53.Page 53
  • 54.Page 54
  • 55.Page 55
  • 56.Page 56
  • 57.Page 57
  • 58.Page 58
  • 59.Page 59
  • 60.Page 60
  • 61.Page 61
  • 62.Page 62
  • 63.Page 63
  • 64.Page 64
  • 65.Page 65
  • 66.Page 66
  • 67.Page 67
  • 68.Page 68
  • 69.Page 69
  • 70.Page 70
  • 71.Page 71
  • 72.Page 72
  • 73.Page 73
  • 74.Page 74
  • 75.Page 75
  • 76.Page 76
  • 77.Page 77
  • 78.Page 78
  • 79.Page 79
  • 80.Page 80
  • 81.Page 81
  • 82.Page 82
  • 83.Page 83
  • 84.Page 84

So as most of you know, the cover for RED QUEEN was revealed last week. For the .01% of you who missed my avalanche of tweets on the subject, here it is again:

Sorry, I started to drool. I’m so in love with this cover. It’s everything I wanted, and then some. The folks at HarperCollins were really open to my original idea of a cover, and then ran away with it and made something better than I ever imagined. So who wants to see my original thoughts (because I procrastinate by designing covers)?
Back in the day when I was first penning the RED QUEEN manuscript, I would dip into Photoshop whenever I hit a roadblock. I designed symbols and covers or just manipulated photos until the ideas started flowing again. Here’s the first real RED QUEEN centric image I made (and stupidly included on the first page of the manuscript):
Pretty basic, but definitely gets across a clear message. Girl, crown, chess piece. Bam. And then I started to simplify even more, and tried my hand at a minimalist (hard to understand) cover:
The symbols are nonsensical until you read the book, and even then, they’re kind of hard to figure out. Also, I very clearly made this with rudimentary paint tools in Photoshop. Well done, me.
This is the final sketch I made when I knew a cover would be a real thing, and I wanted to jot something down so I had a better chance of explaining it to Kari Sutherland, the editor of RED QUEEN:
Queen
Not too bad, but definitely nowhere near the level of beauty we ended up with. And to illustrate exactly how easy the cover process was for RED QUEEN, this was what I told Kari when she asked about cover ideas:
Red queen symbols
“Uh, simple? I figure a crown upside down to show the world is not quite right. I’m big into simple, symbol covers.” And then I sent her a bunch of covers I liked, including:
Kari had the idea to add dripping blood and the Harper art wizards translated that into our first comp cover. It was a rough draft, but I still loved it, and leagues ahead of where I thought the cover would start:

Red Queen Symbols Names

So close to the final right? It only took Harper a single comp to nail down the cover of my dreams. A true miracle, if all the cover horror stories I’ve heard are true. A giant thanks to Kari, Suzie Townsend, Kristen Pettit, Jennifer Klonsky, jacket artist Michael Frost, jacket designer Sarah Nichole Kaufman, and the whole team at Harper who made this a real thing.